ECOLOGY WITHOUT NATURE: Interobjective Art

Sunday, May 1, 2011

Interobjective Art

Kate Hollett, The Noise of Water

This isn't constructionism. It's not asking us to think about thinking about thinking about...It's a vivid presentation of interobejctivity, in which the flv YouTube video environment is also included. The sonic montage is incredible. I am going to have to watch this a few times before I can say all I need to say about it.

1 comment:

Anonymous said...: How does Hollett's work go beyond that of, say, Ralph Steiner's 1929 H2O? There's the matter of the soundtrack, of course, but couldn't Steiner's film be viewed as the production of vision among objects by an immersed or engaged visual apparatus? Or, take Stan Brakhage's 1997 Commingled Containers as an example of a cinematic form in which the lyric eye's authority is supplanted by changes in scale and qualities of visual immersion. Can't a general claim be made that cinema is always about the production of visuality in the interobjective field? I think a film such as The Hurt Locker takes that fundamental claim quite seriously.; May 2, 2011 at 3:19 PM

Timothy Morton

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Laurie Anderson, Björk, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. Morton has written All Art Is Ecological (Penguin, 2021), Spacecraft (Bloomsbury, 2021), Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 they gave the Wellek Lectures in Theory.

“Outstanding.”
—Slavoj Zizek, In Defense of Lost Causes

“Dark ecology has the potential to be the punk rock or experimental pop of ecological thinking.”
—Kasino A4

“It isn’t [nature] itself that needs trashing — we’re doing a fine job of that already; it’s our way of thinking about it that needs to be structurally realigned ... it's an important book that, in a scant 205 pages of main text ... frames a debate that no doubt will be carried on for years to come.”
—Vince Carducci, Pop Matters

“He practices what he theorizes: nothing is wasted in his argumentation.”
—Emmanouil Aretoulakis, Synthesis

“Picking up where his most obvious predecessors, Gregory Bateson and Felix Guattari, left off, Morton understands mental ecology as the ground zero of ecological thinking, as that which must be redressed before anything else and above all. Morton goes beyond both his forebears, however, in repairing the rift between science and the humanities, which the Enlightenment opened up and against which Romanticism reacted. Perhaps most pleasantly surprising, given its erudition, is that in its stylistic elegance The Ecological Thought is as satisfying to read as it is necessary to ponder.”
—Vince Carducci

ECOLOGY WITHOUT NATURE

Sunday, May 1, 2011

Interobjective Art

1 comment:

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